Anotomical Knit Hood Series

For exhibition at Joyce’s newest boutique in Beijing, I have completed five new sculptures that comprise The Anatomical Knit-Hood Series. Each piece (respectively titled Skeletal, Muscular, Cardiovascular, Subcutaneous Fat, and Epidermis/Surface) is based on a different layer of the human anatomy. They reveal that which is normally concealed while commingling notions of art, craft, fashion and design. The work is intended to be at once beautiful and grotesque, disturbing yet comforting, endearingly crafted yet fetishistically sinister, simultaneously serving as a meditation on the intricacies of the human form in all its multi-layered complexities.

 


L.A. Exhibition at Knit Culture Studio!

I’m thrilled to announce that I’ll be having my first Los Angeles exhibition of the knit skeleton! A new iteration of Transcending the Material will be on display at Knit Culture Studio. Come join us for the opening reception Thursday, September 8th 5pm-7pm (full details below).

Interweave Knits…Pick up your copy today!

For all you knit-lovers out there, Interweave Knits magazine has published a lovely little article about me and the Knit Skeleton piece, Transcending the Material. The Summer 2011 issue is available now.

Pick up your copy at a newsstand or yarn shop near you! Or purchase online at interweaveknits.com

Meditating on Salvation

My latest piece, Meditating on Salvation, is currently on view at Antebellum Gallery in Hollywood, Ca.

The Jesus Figure is a ready-made that I altered and then hung on the cross, which I knit from a black silk/wool-blend. The gold dots on the Christ figure are a reference to the chakras, while the leather harness speaks to sexuality.

When making this piece for Keeaster, Antebellum’s Easter themed exhibition, I was seeking to expand upon the Christian notion of Salvation (i.e. that Salvation can only come through accepting Christ as your savior). Having once been a born again Christian, I now find this stultifying conceptualization of salvation to be all to narrow. While the word salvation has become bogged down by cultural, religious, and dogmatic connotations, I interpret the notion of salvation to be closer to transcendence. Both concepts are connected to going beyond the material world in order to connect to something more profound. For me, salvation/transcendence comes in many forms, be it art, meditation, knitting, or sexuality.

KEEASTER

Tasting Cultures: The Arts of Latino Foodways

If you’re in Milwaukee between now and July, come check out Tasting Cultures at the Latino Arts Gallery, where my piece, Transcending the Material is on display. This is your chance to see the knit skeleton in person!

March 4 – July 21, 2011

Opening Reception: Friday, March 4 | 5:00–7:30 p.m.

Latino Arts, Inc.
1028 S. 9th St.
Milwaukee, WI 53204

For more information visit latinoartsinc.org

LA and NYC shows this week

Los Angeles

I’m going to have a photograph on exhibit during the show, Tompkins Projects West: Works on paper. The opening is at Dan Graham gallery in Chinatown, this Thursday January 20, 6-10pm. Click here for complete details.

 

New York

For those of you in NYC, come check out Vogue Knitting Live! where one of my knit hearts will be on display. My work will be shown on the marketplace floor this Saturday 9:00am- 6:00pm & Sunday 9:00am- 4:00pm. Click here for more details.

Knit Chill Pill Workshop

Holidays got you stressed? Knit yourself a Chill Pill!

Come to my workshop at the Little Knittery in Los Angeles, CA, where you can learn how to knit your very own chill pill. If you’ve ever wanted to knit one of my creations this is your chance!

RESERVE YOUR SPACE HERE!

When?

Sunday, Decemebr 5th, 2010, 2-5pm

Where?

The Little Knittery

3195 Glendale Blvd
LA, CA. 90039
(323)663-3838
www.thelittleknittery.com



Interview: Collectif France Tricot

Solène from Collectif France Tricot (French Knitting Collective) asked me to do an interview for their website. It’s available in french and english:

Hello Ben Cuevas, can you introduce yourself?

I’d be happy to. I’m a mixed media installation artist, currently living and working in Los Angeles, CA.

Can you describe your work?

Right now I see my art-practice as being dominated by complexities. From my installations to my business-art endeavors, the work I create can seem a little bit all over the place at times…lol. However, I think that reflects where we are right now as a global society. The world seems to be at a moment of flux and change, and whenever those times come around shit gets complicated.

I like to incorporate as many mediums as possible into every piece I make in order to help people draw connections between seemingly disparate things. It’s my hope that my work serves as both entertainment and education, something to uplift and enlighten, something that anyone can walk away from and feel changed for the better.

Why do you use yarn to express yourself?

Yarn is one of my current obsessions. It’s such a tactile medium and I’m really drawn to that quality of the material. The way it feels in your hands, the way it helps you mark the passing of time…all of these qualities seem very meditative to me. A few years ago I started seeing knitting as meditation, quite literally, and decided to incorporate that into my work. It helps me make sense of things (conceptually, physically, spiritually). There are (and will be) many other mediums that make their way into my work, but knitting is where I’m at right now.

Can you explain your relationship with the body?

Plato, Descartes, and Foucault largely influenced my relationship to the body, along with a healthy dose of pop-culture and an interest in Ethical Hedonism. All of this is tempered by my fascinations with Zen Buddhist philosophy and radical politics.

I believe that if I’m only going to live once, then I may as well enjoy it. Pleasure is central to my enjoyment of life and I revel in the many pleasures that the body has to offer. At the same time, I believe that more (potentially deeper) pleasures lie within the mind. I don’t really see the mind, body, and soul as being separate, however, so much as I like to see them as parts of an integrated whole.

In other words, the body, to me, is a fleeting thing that’s here to bring joy to others: be it through work, sex, or as a vehicle for more conventionally cerebral and spiritual pursuits. On a more personal level (i.e. my relationship to my own body) this translates into a rather fluid expression of my identity; but I revel in that sort of fluidity (be it along the lines of gender, race, sexuality, etc.)

And what about gender?

Gender is fluid and relative. I think much of it is culturally dictated; though I’m not denying the fact there are biological imperatives.
Do contemporary artists have to be naked to show their truth? :)

No, but it’s more fun if they are!

I hate 3 ideas always related to knitting: it’s for women/ it’s for grandmas OR for fashionistas who want to make knitting fashionable/ it’s craft, and calling it art is exagerated. Do you agree with me?

Totally! I hate those ideas because they feel stuck in the past…but don’t you think it’s fun to deconstruct them in order to take the piss out of our culture? [Oh yes!]


When are you coming to France? Have you ever tasted “cassoulet“?

I’ll come to France as soon as I’m able! :) I’ve been a huge Francophile since I was 7 years old and have been lucky enough to visit Paris twice in my life thus far! It’s a beautiful city with a beautiful culture. I haven’t gotten around to trying cassoulet yet, so it might be time to start thinking about a trip! N’est-ce pas? Where’s the best place to try some? [You should go to the South West of France].

Thanks! To visit Ben Cuevas’ website, just click here!

Interview: Solène Couturier

Pictures: Ben Cuevas, http://bencuevas.wordpress.com/

Transcending the Material

These photos document “Transcending the Material”, a mixed media piece that I created and installed while in residence at the Wassaic Project (an arts collective and residency program located in New York state). The piece was exhibited at the Wassaic Project Summer Music and Arts Festival.

“The installation piece Ben Cuevas chose to showcase at The Wassaic Project features a knitted skeleton seated atop a pyramid of Borden’s condensed milk cans and a cloud of screen prints on Plexi glass suspended above it. The knitted skeleton is seated in the lotus position. The prints are of disembodied anatomical parts photographed in high resolution with diagrammatic illustrative overlays. Ben conceives of the piece as a reference to material culture and Wassaic’s local history (The Borden Company had a condensed milk factory in Wassaic) and a meditation on transcendence.” -Bora Mici

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